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Frieze on the 130ft high El Castillo at the Mayan ruins at Xunantunich, San Ignacio, Belize, Central America

View of Cathedral-Basílica de Santa María de Mallorca, Palma de Mallorca, Majorca, Balearic Islands, Spain, Mediterranean, Europe

Vaulted ceiling in the cloister, Canterbury Cathedral, UNESCO World Heritage Site, Canterbury, Kent, England, United Kingdom, Europe

The Lycian site of Xanthos, UNESCO World Heritage Site, Antalya Province, Anatolia, Turkey, Asia Minor, Eurasia

The Roadworker sculpture, by Ignalina's sculptors Jonas Grunda et Raimundas Zievys, standing on the parking Kaukiske near Paluse, Aukstaitija National Park, Lithuania, Europe

The Lycian site of Xanthos, UNESCO World Heritage Site, Antalya Province, Anatolia, Turkey, Asia Minor, Eurasia

Christian cathedral, the Duomo and bell tower (Campanile), Florence, UNESCO World Heritage Site, Tuscany, Italy, Europe

The U.S. Treasury Building with flag flying, Washington D.C., United States of America, North America

Theatre, archaeological site of Leptis Magna, UNESCO World Heritage Site, Tripolitania, Libya, North Africa, Africa

The ornate balcony of the Old Dispensary building, Stone Town, UNESCO World Heritage Site, Zanzibar, Tanzania, East Africa, Africa

The ornate facade of the Old Dispensary building, Stone Town, UNESCO World Heritage Site, Zanzibar, Tanzania, East Africa, Africa

Interior, Canterbury Cathedral, UNESCO World Heritage Site, Canterbury, Kent, England, United Kingdom, Europe

Ta Prohm temple, Angkor, UNESCO World Heritage Site, Siem Reap, Cambodia, Indochina, Southeast Asia, Asia

Skilled craftsmen at work making Pietra Dura souvenirs using traditional old-fashioned grinding wheel in Agra, India

Facade do Obradoiro of the Baroque style Roman Catholic cathedral, Catedral de Santiago de Compostela, Galicia, Spain

Skilled craftsman at work making Pietra Dura gem souvenirs using traditional old-fashioned methods in Agra, India

Facade do Obradoiro of the Baroque style Roman Catholic cathedral, Catedral de Santiago de Compostela, Galicia, Spain

Pilgrims and tourists in Praza da Obradoiro by Baroque style cathedral, Catedral de Santiago de Compostela, Galicia, Spain

Cathedral of Santiago de Compostela (Cathedral of Saint James of Compostela), UNESCO, Santiago de Compostela, Galicia, Spain

Main altar, Metropolitan and Primatial Cathedral Basilica of Santa Thecla, Tarragona, Catalonia, Spain

Crypt, Lecce Cathedral, Cathedral of Maria Santissima Assunta and Sant'Oronzo, Lecce, Salento, Apulia, Italy

Crypt, Lecce Cathedral (Cathedral of Maria Santissima Assunta and Sant'Oronzo), Lecce, Salento, Apulia, Italy

Metropolitan and Primatial Cathedral Basilica of Santa Tecla (Tarragona Cathedral), Tarragona, Catalonia, Spain

Cathedral of Santiago de Compostela (Cathedral of Saint James of Compostela), UNESCO, Santiago de Compostela, Galicia, Spain

Church of Santa Maria Maggiore, San Pietro monumental complex, Monte Sant'Angelo, UNESCO, Foggia, Apulia, Italy

Lecce Cathedral, Cathedral of Maria Santissima Assunta and Sant'Oronzo, Lecce, Salento, Apulia, Italy

Art exhibition Atlas by Jan Hendrix, artwork in central courtyard of palace of Casa de Montejo, Merida, Yucatan State, Mexico, North America

Banos de Dona Maria de Padilla (Baths of Dona Maria de Padilla), Alcazar of Seville, UNESCO, Seville, Andalusia, Spain

Facade do Obradoiro of the Baroque style Roman Catholic cathedral, Catedral de Santiago de Compostela, Galicia, Spain

Inside Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe.
In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design.

Our Lady of Covadonga. The Blessed Virgin Mary, and a Marian shrine devoted to her at Basílica de Santa María la Real de Covadonga catholic church in Cangas de Onis, Picos de Europa, Asturias, Spain, Europe.
In 1777 a fire destroyed the old temple, which stood adjacent to the Holy Cave where Our Lady of Covadonga is revered. It was then decided to raise a new church as a monumental sanctuary, raising donations from all of Spain; the plan was opposed by the local council, as the canons wanted to rebuild the temple of the Holy Cave and build an ambitious sanctuary that had once been designed by Ventura Rodríguez, but never completed. One century later, the project was resumed by King Alfonso XII of Spain, who was interested in completing this work. The classic design of Ventura Rodríguez was very difficult and expensive and was replaced by a new neo-Medieval design.