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Woman arranging silk threads by colour at Ko Than Hlaing Weaving workshop, Inpawkhon, on Inle Lake, Shan state, Myanmar (Burma), Asia

Woman spinning silk thread on a spinning wheel with bicycle wheel, Ko Than hlaing Weaving, Inpawkhan, Inle Lake, Shan state, Myanmar (Burma), Asia

View of pottery in interior workshop of traditional Eswatini crafts, Ngwenya, Mbabane Eswatini, Africa

Woman pulling lotus strands from lotus stems, to be spun into thread, Ko Than hlaing Weaving, Inpawkhan, Inle Lake, Shan state, Myanmar (Burma), Asia

A blacksmith's workshop depicted on traditional Portuguese Azulejo tiles on a building in Alfama, Lisbon, Portugal, Europe

Kazakh woman spinning wool, Kazakh ethnographical village Aul Gunny, Talgar city, Almaty, Kazakhstan, Central Asia, Asia

Man in his mechanical repair shop in an alleyway in the Old City (Medina) of Fez, UNESCO World Heritage Site, Morocco, North Africa, Africa

Man saws horn to make combs in an alleyway in the Old City (Medina) of Fez, UNESCO World Heritage Site, Morocco, North Africa, Africa

Traditional Portuguese pottery at artisan workshop with plates on wall, Cape St. Vincent peninsula, Sagres, Algarve, Portugal, Europe

Training workshop for young women run by JARC (Jeunes Adultes Ruraux Catholiques) a Catholic NGO in Dapaong, Togo, West Africa, Africa

A silk weaver creates a bolt of gold thread at a traditional workshop in Bangkok, Thailand, Southeast Asia, Asia

Training workshop for young women run by JARC (Jeunes Adultes Ruraux Catholiques) a Catholic NGO in Dapaong, Togo, West Africa, Africa

Wood structure of Venice Biennale 2012: New Forms in Wood display now at the city Hall Park at Turku. European capital of culture 2011 was held at 19th of August 2011. The pavilion was the result of a workshop that was a joint collaboration with the students from both Oulu and Columbia Universities. Eero Lundv�n and Markus Wikar were coordinating the student���s efforts in Finland.
Guest lecturers at the opening ceremony included Phillip Anzalone (Columbia University) and professor Rainer Mahlamv�ki (University of Oulu). For panel discussion, also Emmi Keskisarja (Tampere University of Technology) and Toni v�sterlund (University of Oulu) were present.

Elena at work, controlling the ripening process. Cheese shop, Formatgeria Mas dᄡEroles, artisan cheese making, Adrall village, Alt Urgell, Lleida, Catalonia, Spain

Tahiti Tattoo shop in Papeete city. Tahiti, French Polynesia, Papeete's harbour, Tahiti Nui, Society Islands, French Polynesia, South Pacific.

Tahiti Tattoo shop in Papeete city. Tahiti, French Polynesia, Papeete's harbour, Tahiti Nui, Society Islands, French Polynesia, South Pacific.

Takahiro Koizumi carries molten iron with spoon to pour it into the mold, to make a iron teapot or tetsubin, nanbu tekki, Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan

Hung skins for to dry them in the sun,Tannery, Medina, UNESCO World Heritage Site, Fez, Morocco, Africa.

Tahiti Tattoo shop in Papeete city. Tahiti, French Polynesia, Papeete's harbour, Tahiti Nui, Society Islands, French Polynesia, South Pacific.

Waiting for the right temperature. Takahiro Koizumi carries molten iron with spoon to pour it into the mold, to make a iron teapot or tetsubin, nanbu tekki,Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Japanese Swordsmith, Muneyasu, working at his studio in Saitama, Japan. He is part of the new generation of talented katana makers.

Morihisa Suzuki is putting the finishing touches at iron teapot or tetsubin, the only woman who has made teapots in the nearly 400 years of history that has molten iron crafts in Iwate, in Workshop of Morihisha Suzuki,craftsmen since 1625, nanbu tekki, Morioka, Iwate Prefecture, Japan

baking the outer mold, to resist the molten iron and make a iron teapot or tetsubin, nanbu tekki,Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan

Flowers decoration workshop in the Paul Gauguin cruise ship. France, French Polynesia, Polynesian, South Pacific.

Takahiro Koizumi is preparing the inner mold, to make a iron teapot or tetsubin, nanbu tekki, Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan

Preparing spoon to load molten iron, that will put in a molds to make a iron teapot or tetsubin, nanbu tekki, Workshop of Koizumi family, Morioka, Iwate Prefecture, Japan

Takahiro Koizumi and his assistant Kohei ishimori are pouring molten iron into the mold, to make a iron teapot or tetsubin, nanbu tekki,Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan

Morihisa Suzuki is reviewing the quality of work in a new iron teapot or tetsubin , the only woman who has made iron teapots in the nearly 400 years of history that has molten iron crafts in Iwate, in Workshop of Morihisha Suzuki,craftsmen since 1625, nanbu tekki, Morioka, Iwate Prefecture, Japan

Waiting for the right temperature. Takahiro Koizumi carries molten iron with spoon to pour it into the mold, to make a iron teapot or tetsubin, nanbu tekki, Workshop of Koizumi family,craftsmen since 1659, Morioka, Iwate Prefecture, Japan